The Artist – The Blackman, Melbourne



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Charles Blackman's Works

  • Charles Blackman

    Shrinking Alice 1956

    Blackman first experienced the story of Alice’s Adventures in Wonderland through a talking book. He had never seen an illustrated version of the story. Here, the artist’s madcap humour takes full flight in his interpretation of the dreamlike story; we can see how he delights in the grand distortions of scale. Shrinking Alice is widely interpreted as a metaphor for Blackman’s own experience within the tight artistic circle of Melbourne.

  • Charles Blackman

    Children Playing 1953

    Blackman employs the components of a playground to balance a predominantly blue composition. The deep blue colours suggest a kind of emotional ambiguity in the subjects. The children’s faces are hidden, giving them an air of mystery.

  • Charles Blackman

    Self-Portrait as School Boy 1953

    In this playful self-portrait we see the artist transported back to childhood. There is an implicit naivety in both the theme and the appearance of the work, yet the complexity of the shadows and interplay of colours reveal a careful sense of composition and a sophisticated awareness of colour. The striking geometric planes in the stark urban background indicate Blackman’s interest in geometric abstract art.

Charles Blackman - 1928 -  2018

“We are saddened to hear of the passing of Charles Blackman today. On behalf of Art Series Hotel’s and the wider AccorHotels family, we wish to express our sincerest condolences to Charles Blackman’s family and friends; our thoughts are with them at this sad time.

Charles Blackman is one of the most original and significant figurative painters in Australian art. He played a momentous part in influencing the art scene as co-founder of the Melbourne Contemporary Art Society and was responsible for the Antipodean Manifesto.

Art Series Hotels enjoyed a close working relationship with Charles Blackman, following the ‘William Creek and Beyond’ project, which was the inspiration for forming the collection of boutique hotels.

The Blackman hotel will continue to celebrate Charles Blackman’s life and work and will remain a testament to his great achievements.”

Simon McGrath
Chief Operating Officer
AccorHotels - Pacific

Charles Blackman was born in Sydney in 1928; he spent his childhood in Queensland before leaving school at the age of thirteen to work as an illustrator and subeditors copyboy at the Sydney Sun newspaper. 

He was largely self-taught, but did attend night classes at East Sydney Technical College from 1942 – 45. Blackman married Barbara Patterson in 1951. Barbara was intelligent, her courage and love, and her involvement in the literary fields proved to be a stabilising factor, which allowed Blackman to paint full time. Due to a tragic accident at birth her eyesight rapidly declined but she was to become a lasting presence in his work. They moved to an old coach house in Hawthorn, Melbourne in 1952, became friends with Robert Dickerson, Danila Vassilieff, Arthur Boyd, John Perceval and Joy Hester and gained support of art critic and art patron John Reed. Recognition of his stature as an important artist increased when he exhibited his critically acclaimed Schoolgirl paintings.

In 1953 Blackman was co-founder of the Melbourne Contemporary Art Society and he was also one of seven artists responsible for the Antipodean Manifesto; these artists protested the dominance and rejected the rise of abstract expressionism and non – figurative art.

New images appeared in his work, the advertising hoardings of Melbourne inner city streets and the haunting moonlit scenes around Avonsleigh in the Dandenong Ranges where the Blackmans lived for five months in 1954.

However, these early paintings were overshadowed by his next series, the large and spectacular Alice in Wonderland paintings, inspired by Lewis Carroll’s book, Alice in Wonderland.

Blackman is a complete romantic. His work has been described as poetic and probes the delicate world of human relationships. His art speaks tenderly of grief, guilt, loss, persecution and the joy of dreams and memories. He explores the gesture of affection and empathy and his wealth of images have included the dreamlike and enchanting melancholy paintings of women and flowers, children absorbed in daydreams, the serene White cat Gardens and beach scenes.

James Gleeson wrote in Art and Australia, 1963 “Few artists have attempted to probe the delicate world of human relationships with such broad weapons as Blackman uses. He takes a spade to uncover the most sensitive nerves, or an axe to chop his way into the mysteries of loneliness and love”.

Charles Blackman was regarded as one of the most original and significant figurative painters in Australian art. He lived in London for six years after winning the Helena Rubenstein Scholarship in 1960, and his work was included in the Whitechapel Open Exhibition in 1961 and in the Tate Gallery exhibitions of Australian art in 1962-1963.

In 1993 Felicity St Moore curated a major touring retrospective exhibition, Schoolgirls and Angels organised by the National Gallery of Victoria. And to celebrate the fiftieth anniversary of one of the most important series in Australian art, the National Gallery of Victoria exhibited the complete Alice in Wonderland painting at the Ian Potter Centre in August and October 2006.

In 1997 Blackman was awarded an OBE for his services to art. He is represented in all state and most regional galleries and in many private collections around the world.

Ken McGregor 2009



Charles Blackman - Wikipedia 

Youth Central 

Galeria Aniela Fine Art Gallery and Sculpture Park 

Eva Breuer Art Dealer